Gregory Sholette

Gregory Sholette is a New York-based artist, writer, and founding member of Political Art Documentation/Distribution (PAD/D: 1980-1988), and REPOhistory (1989-2000). His recent publications include Dark Matter: Art and Politics in an Age of Enterprise Culture (Pluto Press, 2011); Collectivism After Modernism: The Art of Social Imagination after 1945 (with Blake Stimson); and The Interventionists: A Users Manual for the Creative Disruption of Everyday Life (with Nato Thompson). His recent installations include “Mole Light: God is Truth, Light his Shadow” for Plato’s Cave, Brooklyn, New York, the “Imaginary Archive,” in Wellington New Zealand, and for the Tulca Arts Festival in Galway, Ireland, and he is currently working on an installation for the Queens Museum of Art entitled “Thirteen Islands for Robert Moses.” He is an Assistant Professor of Sculpture at Queens College: City University of New York (CUNY).

http://www.gregorysholette.com