Morgan O’Hara

Morgan O’Hara’s childhood and early adolescence in an international community in post-war Japan early established close relationships between east and west, creation and destruction, life and art. Live attention, contact between eye and subject and between pencil and paper are essential to her work. O’Hara generates abstract visual images from one of the most basic of human activities: movement of the hands of people at work. The practice requires connection, direct observation and LIVE TRANSMISSION.